
Use dialogue to give the reader needed information, but avoid talking
in a vacuum—talking heads. Talking heads are created when characters exchange
information but do nothing. They might as well be reading the news.
One way to create interest is to have the dialogue take place during
some activity, such as over a meal or pursuing some activity that might later
come into play in the story. The activity helps create a picture for the reader
to see and shows something about the characters. Does the character fancy herself
a gourmet cook? Is he a sports addict? Use gestures and actions to show mood
and emotion. Is the character trying to hide something? Perhaps he’s toying
with his food or gulping it down.
Almost any conversation can be made more interesting by creating pictures for the reader.
Almost any conversation can be made more interesting by creating pictures for the reader.
Here’s an excerpt from Time of Death
(shameless promotion for my new book) with everything but the dialogue removed.
See what kind of picture you get.
“Want me to go in, Mr. R.?”
“No, I do not. Just sit here and
watch for anything that goes by in either direction.”
“But she can’t be going to Chicora.”
“I want you to check for
official-looking vehicles—you know, cops, ambulances, the rescue squad?”
“Oh. Yeah. Right.”
Do you have an idea of the characters’ mood? What they were aiming at? Did you see the conversation or feel as if you
were present?
See if this is any better. It’s the real
excerpt.
Jelly pulled into the Sugar Shack
parking lot. “Want me to go in, Mr. R.?”
“No, I do not.” No one would tell
Jelly a woman’s whereabouts without calling the police as soon as the hulk
left. “Just sit here and watch for anything that goes by in either direction.”
“But she can’t be going to Chicora.”
“Jelly,” he said with exaggerated
patience, “I want you to check for official-looking vehicles—you know, cops,
ambulances, the rescue squad?” Jelly Belly turned into Jelly Brains long before
the man left the boxing ring.
“Oh. Yeah. Right.” Jelly settled his
large frame behind the steering wheel and stared at the road.
What do you think? Does one show
more than the other? What’s your style? How do you feel about bare dialogue? Does
it ever work? When?