Friday, October 30, 2015

Haunting Refrain, Audible.com
This is an excerpt from Haunting Refrain, suspense with a little romance and a touch of paranormal. 

 Martin looked sick. “Do you have any feeling about the person strangling her? Was it someone she knows?”
“A man, I think. I couldn't see, but I have an impression of size and strength that suggests a man. That's all.” She looked up at him. “Please tell me what this is about.”
“Only one more question. Could you tell what time of day it was?”
“What does that matter?” she asked. “It was dark. Night. Now whose is it?”
He took a deep breath and held out the card. “The sweatband belongs to Kelly Landrum.”
Kate reached for the card, wondering where she’d heard the name. “Kelly Landrum? Who's—”
“She's the girl who's missing!” Venice cried, catching the cup as it slipped from Kate's hands. She took a quick sip and choked.
Kate snatched the card, needing to see it for herself. She read the name. Kelly Landrum. A spot like a teardrop blurred the blue ink. An omen? Please, don’t let it be true.
“Yes, she's the student who's been missing for four days.” Martin kept his gaze on Kate's drawn face. “Her picture is on every newspaper and television screen in South Carolina. Someone found her car here on the campus. The police have been all over the place since then. We should call them, Kate.”
“No! I haven't seen anything that could help them, and I'm not touching that thing again.” Kate retreated into the chair, pulled her knees up under her chin, and wrapped her skirt around her legs, holding herself tightly. If she didn’t, she might fall apart—the image was so strong, so immediate. She touched her throat. And if it was true . . .

REVIEWS
"Quirky, engaging characters .... Both Venice and Kate are charmers!" -- Romantic Times 
"The interaction between Kate and her friend, Venice, is priceless." A. McGraw
"...this first novel [is] a good choice for readers who like a bit of the paranormal in their mysteries." -- Library Journal

Saturday, October 3, 2015

What makes memorable characters?

Jack Nicholson, always memorable
Why do some stories touch us so much that we return to them and the characters again and again? Why do the characters come back to visit our dreams many times?
Maybe part of it is the way each character’s story resolves itself—not necessarily happily but in a just and satisfying way. Sometimes the resolution isn’t what we expect, but if it seems to fit, if it’s what the character has earned, we’re pleased.
In my favorite books and movies, the characters grew. Each one developed in some way that made us cheer. Not all the characters were likable, but they were interesting and each elicited an emotional response. We cared. 
The point is that we should try to do the same thing in our stories. But how?
A book that never lost its appeal
We need to give each of our main characters some weakness or undeveloped trait and then impose conflict and circumstances that force the character to react. From those reactions, the characters should learn, gain confidence, and move along their path. This doesn’t have to be a positive path, but if it’s your protagonist, he or she will probably then need to overcome the negative aspects—unlikely in a short story because it takes time to show so much change.
Placing the story in a foreign or culturally different setting imposes change and provides opportunities for the character to react according to her personality and outlook. “Foreign” could be anything different from the norm. An egocentric, in-charge character might become a patient in a hospital. A timid, indecisive soul could find himself in charge of a group of children in a hostile environment. Those are extreme examples, but forced change is a good way to do it. 

Amazon
In Cold Comfort, Claire is an ordinary woman who becomes a killer’s target, forcing her to move outside—way outside—her comfort zone. Riley, because of a personal failure, hates working with women, but a debt of honor forces him to help Claire.

There are many ways to do these things, limited only by our imagination. Do you consciously think about making your character grow? How did you do it? What vehicles or devices have you used?